
Other projects away from editorial illustration have included illustrating an ad campaign and website for Nike and working as a guest illustrator for Italian fashion label Softcore on a range of clothes for the Japanese market. I also co-art direct an independent movie magazine called Little White Lies and work as a part of a design consultancy called The Church Of London.
My illustrations are generally mixed media and change to suit the kind of work I’m doing. I like experimenting with different techniques and then combining them digitally. Working digitally also helps when the FT tells you to change half a picture because you’ve stupidly drawn the wrong Chinese prime minister.
Inspiration and influences include Polish poster design, early Milton Glaser drawings, Saul Bass, Cuban poster art, Henri Cartier-Bresson, Diane Arbus, Roger Ballen, Geoff McFetridge, David Hughes, Japanese woodblock prints, Hokusai, old photographs, Paper textures, Seymor Chwast, William Eggleston, Robert Crumb, Egon Schiele, David Hockney, Alan Cober, Eduardo Paolozzi, Kew Gardens, Terence Malick, knackered old craft books, Kurosawa, Manga, cake, Lomo’s, etc.
Selected client list: Nike, Adrenalin Magazine, The Guardian, The FT Magazine, The Independent, GQ, Flaunt (US), Penguin Books, Esquire, Time Out and The Fader (NYC).'